Vorrei tanto tornare a casa e che questo volesse dire tornare dove sei tu. Remolition
2009 – 2016
The first episode of the performance Vorrei tanto tornare a casa premiered in the Marolles in 2009 with the assistance of residents of the Brigittines-Visitandines estate, in Brussels. The domestic light show transformed the windows of a high-rise block of flats into instruments in an orchestra of light operated by the residents themselves. It questioned our ability to live together in the density of major urban centres. After having been recreated in Riga, Gwangju, Paris, Bologna, this public art did come back to Brussels. As the architect Lucien Kroll would say, it has been being “remolished”: revisited, enhanced by the complexity of the hundreds of stories that have gone into it. How has the city changed during seven years? How has our view of the city changed? What are the challenges posed by cohabitation today? To what extent does an ephemeral work of art leave traces in a community’s imagination? At this time of crisis, it seems more important than ever to return to the possibility of being confronted with difference and the utopia of cohabitation.
Concept Anna Rispoli
With the participation of citizens of Brussels, Paris, Milan, Riga, Gwangju, Bologna
With the support of ON Public Art, Kunstenfestivaldesarts, Staro Riga, Paris Festival d’été, Asian Arts Centre
PRESS
https://www.kfda.be/en/program/vorrei-tanto-tornare-a-casa-ancora-una-volta-2
FIVE ATTEMPTS TO SPEAK WITH AN ALIEN
Five attempts to speak with an alien 2016 > 2018 For Durub Al Tawaya VI in 2016, artist Anna Rispoli was commissioned to create a performance for the city of Abu Dhabi, which was entitled Five Attempts to Speak to an Alien. The performance is part of the Abu Dhabi...
DEIN WORT IN MEINEM MUND
Dein Wort in meinem Mund / with Lotte Lindner&Till Steinbrenner 2017 Tes mots dans ma bouche invite à faire dialoguer une femme polyamouriste grandie dans un kibbuz, un pasteur protestant, un gérant de sex club, un bouddhiste militant de l'extreme droite...
QUATRE HECTARES
Quatre hectares / with Britt Hatzius 2017 Four Hectares is the size of a field to the north of Nyon, Switzerland. On one side busy cranes keep erecting new buildings while on the other, the few remaining fields, through which a motorway and a railway...
work3
ATTRITOBIENNALOCENEEINKOMMEN. THE UNCONDITIONAL SPEECHA CERTAIN VALUENICHT ALLE GESCHICHTEN SIND ERZÄELTQUATRE HECTARESYOUR WORD IN MY MOUTH. BRUSSELS TAKETOUTESTNORMAL.BECLOSE ENCOUNTERSFIVE ATTEMPTS TO SPEAK WITH AN ALIENDEIN WORT IN MEINEN MUNDINTERVALLO /...
YWIMM. Brussels take
Your word in my mouth. Brussels take on tour Second episode of the investigation about love and intimacy, Your Words in my Mouth Brussels take is a group discussion that immerses us in the private lives of severalresidents of Brussels, among them a...
NICHT ALLE GESCHICHT SIND ERZAELT
Nicht Alle Geschichten Sind Erzählt permanent sound installation This permanent sound installation is developed by Anna Rispoli in collaboration with Livia Cahn in the framework of the IGA künstler framework curated by Katja Assmann for the 2017 International...
CLOSE ENCOUNTERS 2
Close encounters 2020 - 2021 Imagine a world where we can't touch or get close to each other. Imagine being a teenager and having to negotiate this distance between your shyness and the hormonal magnetism emanating from your peers' bodies. Imagine not being...
expanded
The Common Wallet ongoing On 1 January 2018, ten Brussels-based arts professionals opened a shared bank account to which all members would have equal access and rights. Since then, all income generated by any of the members is credited to this account, while all of...
workshops
LA CAMBRE MASTER 2 - Soulever les effondrements / Intervention 11-12 March 2020 24 hours to discover together with the students of L'Atelier de Typographie de la Cambre what would be the function of artists and graphic designers once the world as we know it today...
about
above some texts written by me hereunder texts by othersanna rispoli works on the boundary between artistic creation and civic space, developing prototypes for sharing material resources, intelligence and affect. Since twenty years her transdisciplinary...